I studied interior architecture, and I quickly realized that what I was proposing in these projects was more akin to scenography than architecture per se. My first experiences in theater enabled me to get inside the head of a director, inside the body of actors, and to translate their desires onto this magical space that is the stage, to explore all the possibilities and realize that in theater, everything is possible and every idea is exploitable. In the end, what awakened me was the fact that I drew my inspiration from people, whether actors or the sound manager. It's a great collaboration of minds that will always be essential to my creative process.I've been interested in these subjects ever since I was a student! My first dissertation, written ten years ago, was on the representation of women in TV series and their impact on viewers, and my second on the evolution of black characters in television and film. During my twenties, I consumed culture in every sense of the word: music, cinema, TV series... For me, it's the age when everyone builds up their tastes, when they become clearer and more precise, a moment in our lives when we understand the impact they have on us. My job and this cultural consumption led me naturally to this essay.
I wanted to make it a personal and journalistic essay that starts from a truly grounded experience, while backing it up with concrete facts. I drew a lot of inspiration from Anglo-Saxon essays. In France, even though this is happening more and more, I still see women authors who find it hard to talk about themselves. For me, you have to be able to tell your own story without making it autobiographical. The aim wasn't to tell the whole story of my personal life, but to see how pop culture is both a personal and a global experience.